A pair of French 19th century Louis XVI st. ormolu sconces, “Aux Tourtereaux”, possibly by Henry Dasson, attributed to Pierre-François Feuchère

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A very high quality and large scale pair of French mid 19th century Louis XVI st. ormolu, three arm sconces, “Aux Tourtereaux”, possibly by Henry Dasson, attributed to Pierre-François Feuchère (1737-1823). Each has a bottom pierced finial with fruits and... — Read More

Item # 10322
H: 27.5 in L: 15.25 in D: 7.75 in
H: 70 cm L: 39 cm D: 20 cm
France
19th Century
Ormolu
Louis XVI st. Read More

(Louis XVI st.) - Also known as Louis Seize, Louis XVI's style is a style of architecture, furniture, decoration, and art created during Louis XVI’s 19-year reign in France, just before the French Revolution. Thought to be a reaction and juxtaposition to the prior more elaborate styles, Louis XVI style developed at the end of the Baroque Period and continued until the birth of French Neoclassicism. King Louis XVI showed little enthusiasm for the old world styles of the Baroque Period and he sought out a create a new “beau ideal” that focused on the purity and grandeur of Ancient Romans and Greeks. Inspired by Ancient Roman architecture and art, distinct features of the Louis XVI style are linear lines, small repeated motifs, floral medallions hanging from ribbons, acanthus leaves, urns, dolphins, ram, and lion heads, and griffins. Greco-Roman elements, often used in earlier and later French styles, were also quick common and included fluted and twisted columns, Caryathids, and corbels.

Henry Dasson Read More , Pierre-François Feuchère Read More

Henry Dasson (1825–1896) was a renowned 19th century Parisian maker of gilt-bronze mounted furniture. Unlike other cabinetmakers of the time Dasson began his career as a bronze sculptor, and consequently one characteristic of his work is the quality of his bronze and more precisely of the chasing. Dasson specialized in the production of Louis XIV, XV and XVI style furniture using the finest gilt-bronze mounts, and was recognized as a brilliant ‘ébéniste and bronzier’.  He participated in the 1878 Paris Exposition Universelle and exhibited a number of pieces in the Louis XV and XVI styles, as well as pieces of his own modified 18th century designs. Including a table entirely in gilt-bronze, purchased by Lord Dudley. His copy of the celebrated ‘Bureau du Roi’ sold to Lady Ashburton. His works prompted critic Louis Gonse to comment: “newcomer Henri Dasson is rapidly rising to great heights through the perfection of his high quality creations, we warmly applaud him” Dasson was made a Chevalier of the Légion d'honneur in 1883 and was awarded the Grand Prix Artistique at the 1889 Paris Exposition Universelle.

Pierre-François Feuchère, (1737-1823) Was a renowned French Bronzier. Feuchère with his son Lucien-François, ran one of the largest Bronzier workshops, producing luxurious gilt bronze work during the late 1700s and early 1800s. The firm continued to produce high-quality works into the 1800s under Feuchère's grandson.

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