A French 19th century Louis XVI st. Belle Époque period patinated bronze, ormolu and Rouge Griotte marble clock attributed to Henry Dasson
A stunning and extremely high quality French 19th century Louis XVI st. Belle Époque period patinated bronze, ormolu, and Rouge Griotte marble clock attributed to Henry Dasson. The clock is raised by a striking square Rouge Griotte marble base with... — Read More
A stunning and extremely high quality French 19th century Louis XVI st. Belle Époque period patinated bronze, ormolu, and Rouge Griotte marble clock attributed to Henry Dasson. The clock is raised by a striking square Rouge Griotte marble base with most decorative protruding corners, fine mottled beaded feet, elegant rosettes, and a wrap around beaded band. At the center is the circular fluted column support with a wrap around mottled foliate band at the base fine fitted chandelles with exceptional richly chased blooming flowers in a superb satin and burnished finish draped down the side. A charming wonderfully executed patinated bronze winged cherub is seated on the column holding the clock in his right hand by a beautifully draped fabric garland tied in a bow. The clock displays a white enameled clock face with pierced foliate ormolu hands Roman numeral hour markings and Arabic numeral minute markings framed within a beautiful wrap around intertwined band.
Henry Dasson (1825–1896) was a renowned 19th century Parisian maker of gilt-bronze mounted furniture. Dasson specialized in the production of Louis XIV, XV, and XVI styles, using the finest gilt-bronze mounts and was recognized as a brilliant bronzier. Dasson was made a Chevalier of the Légion d’honneur in 1883 and was awarded the Grand Prix Artistique at the 1889 Paris Exposition Universelle. — Read Less
- Item # 11703
H: 23.75 in L: 11.5 in D: 11.5 in
H: 60 cm L: 29 cm D: 29 cm
- 19th Century
- Marble/Stone, Ormolu, Patinated Bronze
Belle Époque Read More,
Louis XVI st. Read More
(Belle Époque) -
Gaining its name from the optimistic and peaceful period of time between 1871 and World War I, Belle Epoque means “beautiful period”, and occurred during the era of the Third French Republic. This period of economic, colonial, and scientific prosperity brought with it a flourishing artistic climate with numerous literal, musical, theatrical, and visual masterpieces being created.
The Eiffel Tower, which was constructed between 1887 and 1889, served as the entrance to the World’s Fair held in Paris. That same year, the Moulin Rouge cabaret in Paris was founded and showcased the now more mainstream styles of performance including can-can dancing. Belle Epoque dancers and singers were Paris celebrities and became immortalized by the poster arts of Toulouse-Lautrec.
Leading up to this period in 1865, the American Civil War was coming to a close, with France proposing to construct the Statue of Liberty as a joint effort with the United States. France would be responsible for the statue, with America constructing the pedestal. Created to celebrate the nation’s success in building a viable democracy, the statue would stand as a symbol of friendship between the French and American people.
(Louis XVI st.) -
Also known as Louis Seize, Louis XVI's style is a style of architecture, furniture, decoration, and art created during Louis XVI’s 19-year reign in France, just before the French Revolution.
Thought to be a reaction and juxtaposition to the prior more elaborate styles, Louis XVI style developed at the end of the Baroque Period and continued until the birth of French Neoclassicism.
King Louis XVI showed little enthusiasm for the old world styles of the Baroque Period and he sought out a create a new “beau ideal” that focused on the purity and grandeur of Ancient Romans and Greeks.
Inspired by Ancient Roman architecture and art, distinct features of the Louis XVI style are linear lines, small repeated motifs, floral medallions hanging from ribbons, acanthus leaves, urns, dolphins, ram, and lion heads, and griffins.
Greco-Roman elements, often used in earlier and later French styles, were also quick common and included fluted and twisted columns, Caryathids, and corbels.
- Henry Dasson Read More
Henry Dasson (1825–1896) was a renowned 19th century Parisian maker of gilt-bronze mounted furniture. Unlike other cabinetmakers of the time Dasson began his career as a bronze sculptor, and consequently one characteristic of his work is the quality of his bronze and more precisely of the chasing. Dasson specialized in the production of Louis XIV, XV and XVI style furniture using the finest gilt-bronze mounts, and was recognized as a brilliant ‘ébéniste and bronzier’. He participated in the 1878 Paris Exposition Universelle and exhibited a number of pieces in the Louis XV and XVI styles, as well as pieces of his own modified 18th century designs. Including a table entirely in gilt-bronze, purchased by Lord Dudley. His copy of the celebrated ‘Bureau du Roi’ sold to Lady Ashburton. His works prompted critic Louis Gonse to comment: “newcomer Henri Dasson is rapidly rising to great heights through the perfection of his high quality creations, we warmly applaud him”
Dasson was made a Chevalier of the Légion d'honneur in 1883 and was awarded the Grand Prix Artistique at the 1889 Paris Exposition Universelle.
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