A pair of French 19th century Louis XIV st. ormolu sconces, after a model by André-Charles Boulle
A lovely and most elegant pair of French 19th century Louis XIV st. ormolu sconces, after a model by André-Charles Boulle. Each two arm sconce is centered by a beautiful circular backplate with a finely detailed acanthus leaf design. The... — Read More
A lovely and most elegant pair of French 19th century Louis XIV st. ormolu sconces, after a model by André-Charles Boulle. Each two arm sconce is centered by a beautiful circular backplate with a finely detailed acanthus leaf design. The two elegantly scrolled arms display a lovely square tapered shaped leading to fine reeded candle cups. — Read Less
- Item # 11943
H: 9.5 in L: 11.75 in D: 7.75 in
H: 24 cm L: 30 cm D: 20 cm
- 19th Century
Louis XIV st.
(Louis XIV st.) -
Louis XIV style, also known as French Classicism, was thought of and intended to glorify the Sun King and his reign via the majesty and harmony of its style.
Louis XIV's style consisted of three different time periods with French Classicism being the first and under the control of regent Anne of Austria. The second period was under the personal rule of the King and became more classical, ostentatious, and victorious, culminating in the building of the Chateau of Versailles. Later in the second phase of King Louis XIV’s reign, came the invention of marquetry which changed French furniture with the decoration of different colors and woods. Most famous for his creations during this period is André Charles Boulle.
- André-Charles Boulle
He was the French cabinetmaker considered to be the preeminent artist in the field of marquetry, even called the most remarkable of all French cabinetmakers. Boulle was renowned as the leading cabinet-maker of French furniture in the 17th and 18th century. His fame in marquetry led to his name being given to the fashion he perfected of inlaying brass and tortoiseshell, known as Boulle. Boulle was granted lodgings in the galleries of the Louvre, which King Henri IV had set apart for the use of his most favored artists employed by the crown. Boulle received the post of Premier Ébéniste du Roi. Foreign princes and the great nobles, government ministers and financiers of his own country crowded to him with commissions. Boulle's creations included commodes, bureaux, armoires, pedestals, clock cases and lighting-fixtures, richly mounted with gilt-bronze that he modeled himself.
Pointed out to the king by Colbert as “the most skilful in his trade”, Boulle was the author of a large number of pieces of furniture in bronze and marquetry which made him the leading cabinet-maker of French furniture in the 17th and 18th century. The creativity and richness of his pieces of furniture contributed to the reputation of Versailles in this art.
Beginning in 1672, he produced all kinds of pieces of furniture for Louis XIV, his family and the court, and the name of Boulle is inseparable from the copper and tortoiseshell marquetry that made his success: the famous “Boulle marquetry”. Although he was not its inventor, he devised a new process by cutting out patterns from these materials. He thus obtained two panels: the “part” and the “counterpart”. The first was in copper on a background of tortoiseshell, the second in tortoiseshell on a background of copper. In 1684-1692, the Grand Dauphin commissioned in Boulle marquetry the panelling and parquet of his study in Versailles, lost in the 18th century.
Another major innovation of Boulle was the application of bronzes on his pieces of furniture to protect the most fragile parts. Grotesque masks, claws, friezes, foliage patterns, etc. invaded console tables, desks, studies, etc. Bronzes that are also found on clocks, wall-clocks, candelabras, ink-well stands, etc.
The celebrated cabinet-maker did not limit himself to technical or aesthetic innovations, he also created new pieces of furniture. For the bedchamber of Louis XIV at Trianon, he revolutionize in 1708 a type of piece of furniture: the chest of drawers. On exhibition today in Versailles, the two chests of drawers of the king marvellously sum up the art of Boulle: the originality of this piece of furniture in its principle and its shape; marquetry of copper and tortoiseshell and an abundance of bronze details. Moreover, they are the rare pieces of furniture identifiable from his immense production. Boulle also made for the king large flat standing desks, salon tables, jewellery caskets, monumental pendulum clocks, etc.
The beauty and perfection of his pieces of furniture earned him immense celebrity in France and in Europe: Philippe V of Spain and Maximilian-Emmanuel of Bavaria were part of his prestigious clientele. Paradoxically, Boulle was often in financial difficulty: the king had to intervene on several occasions to protect him from his creditors. He went out of fashion after his death in 1732, but his pieces of furniture were reproduced with success in the mid-18th century and especially during the Second Empire.
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