A pair of French 19th century Louis XVI st. Belle Époque period white Carrara marble and ormolu four arm electrified candelabra lamps, possibly by Henry Dasson
A stunning and most unique pair of French 19th century Louis XVI st. Belle Époque period white Carrara marble and ormolu four arm electrified candelabra lamps, possibly by Henry Dasson. Each lamp is raised by a square white Carrara marble... — Read More
A stunning and most unique pair of French 19th century Louis XVI st. Belle Époque period white Carrara marble and ormolu four arm electrified candelabra lamps, possibly by Henry Dasson. Each lamp is raised by a square white Carrara marble base with ormolu ball feet, a decorative ormolu fillet and a finely chased pierced fitter plaque with beautiful foliate designs and a central bow and quiver. The impressive socle pedestal displays handsome and detailed paw feet and acanthus leaves. The elegantly shaped white Carrara body has a fluted design and a richly chased central mask of a maiden. The scrolled arms display a reeded cornucopia design and at each side are finely detailed seated cherubs with serpent legs. Above a beaded ormolu band is a twisted fluted design and a most decorative floral top finial.
*Shades shown for display purposes only. — Read Less
- Item # 9712
H: 23 in D: 10.5 in
H: 58 cm D: 27 cm
- 19th Century
- Marble/Stone, Ormolu
Belle Époque ,
Louis XVI st.
(Belle Époque) -
Gaining its name from the optimistic and peaceful period of time between 1871 and World War I, Belle Epoque means “beautiful period”, and occurred during the era of the Third French Republic. This period of economic, colonial, and scientific prosperity brought with it a flourishing artistic climate with numerous literal, musical, theatrical, and visual masterpieces being created.
The Eiffel Tower, which was constructed between 1887 and 1889, served as the entrance to the World’s Fair held in Paris. That same year, the Moulin Rouge cabaret in Paris was founded and showcased the now more mainstream styles of performance including can-can dancing. Belle Epoque dancers and singers were Paris celebrities and became immortalized by the poster arts of Toulouse-Lautrec.
Leading up to this period in 1865, the American Civil War was coming to a close, with France proposing to construct the Statue of Liberty as a joint effort with the United States. France would be responsible for the statue, with America constructing the pedestal. Created to celebrate the nation’s success in building a viable democracy, the statue would stand as a symbol of friendship between the French and American people.
(Louis XVI st.) -
Also known as Louis Seize, Louis XVI's style is a style of architecture, furniture, decoration, and art created during Louis XVI’s 19-year reign in France, just before the French Revolution.
Thought to be a reaction and juxtaposition to the prior more elaborate styles, Louis XVI style developed at the end of the Baroque Period and continued until the birth of French Neoclassicism.
King Louis XVI showed little enthusiasm for the old world styles of the Baroque Period and he sought out a create a new “beau ideal” that focused on the purity and grandeur of Ancient Romans and Greeks.
Inspired by Ancient Roman architecture and art, distinct features of the Louis XVI style are linear lines, small repeated motifs, floral medallions hanging from ribbons, acanthus leaves, urns, dolphins, ram, and lion heads, and griffins.
Greco-Roman elements, often used in earlier and later French styles, were also quick common and included fluted and twisted columns, Caryathids, and corbels.
- Henry Dasson
Henry Dasson (1825–1896) was a renowned 19th century Parisian maker of gilt-bronze mounted furniture. Unlike other cabinetmakers of the time Dasson began his career as a bronze sculptor, and consequently one characteristic of his work is the quality of his bronze and more precisely of the chasing. Dasson specialized in the production of Louis XIV, XV and XVI style furniture using the finest gilt-bronze mounts, and was recognized as a brilliant ‘ébéniste and bronzier’. He participated in the 1878 Paris Exposition Universelle and exhibited a number of pieces in the Louis XV and XVI styles, as well as pieces of his own modified 18th century designs. Including a table entirely in gilt-bronze, purchased by Lord Dudley. His copy of the celebrated ‘Bureau du Roi’ sold to Lady Ashburton. His works prompted critic Louis Gonse to comment: “newcomer Henri Dasson is rapidly rising to great heights through the perfection of his high quality creations, we warmly applaud him”
Dasson was made a Chevalier of the Légion d'honneur in 1883 and was awarded the Grand Prix Artistique at the 1889 Paris Exposition Universelle.
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