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A French 19th century Belle Epoque period Neo-Greek st. patinated Bronze and Ormolu lamps, signed Ferdinand Barbedienne

List: $23,500.00

A pair of most impressive and large scale French 19th century Belle Epoque period Neo-Greek st. patinated Bronze and Ormolu lamps, signed Ferdinand Barbedienne. The pair of baluster shaped urns are raised by square Rouge Griotte marble and Ormolu mounted... — Read More

  • Item # 12360
  • H: 32.5 in L: 9.25 in D: 9.25 in

    H: 83 cm L: 23 cm D: 23 cm

  • Shade Diameter: 18 in
  • France
  • 19th Century
  • Marble/Stone, Ormolu, Patinated Bronze
  • Belle Époque Period Read More, Neo-Greek st. Read More
  • (Belle Époque Period) - Gaining its name from the optimistic and peaceful period of time between 1871 and World War I, Belle Epoque means “beautiful period”, and occurred during the era of the Third French Republic. This period of economic, colonial, and scientific prosperity brought with it a flourishing artistic climate with numerous literal, musical, theatrical, and visual masterpieces being created. The Eiffel Tower, which was constructed between 1887 and 1889, served as the entrance to the World’s Fair held in Paris. That same year, the Moulin Rouge cabaret in Paris was founded and showcased the now more mainstream styles of performance including can-can dancing. Belle Epoque dancers and singers were Paris celebrities and became immortalized by the poster arts of Toulouse-Lautrec. Leading up to this period in 1865, the American Civil War was coming to a close, with France proposing to construct the Statue of Liberty as a joint effort with the United States. France would be responsible for the statue, with America constructing the pedestal. Created to celebrate the nation’s success in building a viable democracy, the statue would stand as a symbol of friendship between the French and American people.
    (Neo-Greek st.) - The Neo-Greek style was a Neoclassical Revival style of the 19th century that was popularized in architecture, decorative arts, and paintings during France’s Second Empire. The style mixed elements of Graeco-Roman, Adams, and Egyptian Revival styles and became popular in Europe as well as the United States. Neo-Greek interiors were based on combining motifs drawn from Greek vase paintings and repetitive patterns like Greek keys and palmettes. Adams and Louis XVI's styles showcase many elements of Neo-Classicism and can be identified by the frequent use of figureheads, masks, winged griffins, serpents, and medallions. Color combinations were usually rich and striking, with black borders and elements being against Pompeian red, powder blue, and olive green.
  • Ferdinand Barbedienne Read More
  • Ferdinand Barbedienne (1810 – 1892), a renowned French Bronzier. Between 1850 and 1854 his firm, Barbedienne, provided furnishings in the Renaissance Revival style for the Hôtel de Ville, Paris. They received numerous medals at the International Exhibitions, including medals in three different classes at the International Exhibition of 1862 in London.
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A French 19th century Belle Epoque period Neo-Greek st. patinated Bronze and Ormolu lamps, signed Ferdinand Barbedienne